With its fifth season, Yellowstone may be coming to an end, but the program is still alive. Since its debut in 2018, the series has followed the Dutton family on their ranch and chronicled their ongoing fight to protect their property and exert influence on those in the region. Similar to Succession, but with a lot more riding and wildlife.

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It’s also a significant victory for the Paramount Network, which scored a success with its debut scripted program. Kevin Costner plays the family patriarch in the sitcom, and Luke Grimes, Wes Bentley, Cole Hauser, and Kelly Reilly play his kids and other relatives.

Even after five years, Yellowstone is just the beginning of an expanding empire. It’s never too late to start watching Yellowstone, even when the main series is coming to an end because there are several spin-offs (and more are in planning).Although you may watch the series whenever you want, if you don’t like binge, there are luckily other ways to satisfy your craving for Yellowstone without spending all day in front of the TV.

As the series draws to a close, it is important to remember that the fifth season is still in limbo. There is no information available on the release date of the second half of Season 5 due to creative disputes and the ongoing WGA and SAG-AFTRA strikes. While you wait, you may watch the prequel series for the program, which will chronicle the entire history leading up to the present-day Yellowstone.


It’s startling to see a helicopter fly above a hilly landscape as a group of cowboys are galloping down below at full speed. It is as though space and time have abruptly merged. Instantaneously, the past and the present collide in the center to create something that is both well-known and completely unexpected. Fans of the genre may now switch to their televisions once a week and watch Taylor Sheridan’s neo-western “Yellowstone,” which was the box office king for around 60 years.

Neo-Westerns are not wholly unknown to audiences. Numerous Quentin Tarantino films, including the Oscar-winning “No Country For Old Men,” Sheridan’s own “Sicario,” and the Coen Brothers’ “No Country For Old Men” all offered different perspectives on these dangerous areas. However, in the present political atmosphere, few middle-class American conservative-leaning programs have been as well-cast, significant, and complicated as “Yellowstone.” The show originally became popular in more rural locations, where it attracted large audiences during the pandemic lockdown that drew viewers from coastal cities into this world of cowboys.

Although the show’s politics aren’t quite overt, Sheridan has always portrayed himself as an outsider in Hollywood. The prolific writer and showrunner, who has penned every episode of “Yellowstone” and its spinoffs, has come under fire in the media for his criticism of the WGA’s demands for a minimum number of writers in rooms. He told The Hollywood Reporter that “the freedom of the artist to create must be unrestricted.” The antithesis of how television is often constructed, “my stories have a very simple plot that is driven by the characters as opposed to characters driven by a plot.” “Writer’s rooms haven’t worked for me,” he said.


I’ve never found the American Western to be interesting. I’ve never really felt like the idea of cowboys as heroes fit with my worldview. I always think of James Baldwin’s phrase from 1965’s “The American Dream and the American Negro” when I think of the classic Western movie since I am a Black American lady who was born and raised on the South Side of Chicago.

According to Baldwin, learning that the flag to which you have sworn loyalty, along with everyone else, has not sworn allegiance to you, comes as a big shock around the age of 5, 6, or 7. Even if you’re rooting for Gary Cooper, it’s shocking to witness him slaughter off the Indians, since you’re the Indians.

The hype around “Yellowstone” and the upcoming David Oyelowo film “Lawman: Bass Reeves,” which tells the story of a once-enslaved man who became the first Black U.S. Marshall (Sheridan is an executive producer), convinced me that it was time to watch “Yellowstone.”

The pilot opens with a deadly accident, a horse that is injured, and a head wound that is oozing blood. Even the most composed person would be shaken by the opening scene, but John Dutton III (Kevin Costner), the stoic patriarch, Livestock Commissioner, and proprietor of the enormous Yellowstone Dutton Ranch, seems to be mostly untouched. Secrets, desires, and all the horrors John can inflict come to life as the world around him takes shape, concentrating on the (stark white) hamlet of Bozeman, Montana.

John Dutton and other strong men are not supported alone. Sheridan painstakingly exposes the layers of the rancher’s life, including his four children, in the opening scene of the feature-length film. Although he doesn’t work the property, adopted Jamie (Wes Bentley) is a lawyer who is familiar with the family company. Although Lee (Dave Annable) is a cowboy, his lack of interest in networking and haggling makes him an unsuitable successor.

The family’s black sheep, Kayce (Luke Grimes), has cut ties with his father and the Dutton dynasty in order to live on the adjacent Broken Rock Indian Reservation with his Native wife and son. The wayward daughter Beth (Kelly Reilly) may be the only other Dutton as dangerous as John.

While the Dutton family’s complex history forms the basis of “Yellowstone,” Sheridan also deftly reveals the other strong ties that are influencing this society. Condos being built near Yellowstone by a development business, Paradise Valley, would be yet another unpleasant degradation in a neighborhood that is gentrifying quickly. While John is more than eager to use his power and wealth to stop the subdivision, he also runs afoul of the residents of Broken Rock and the reservation’s recently appointed and imposing Chief, Thomas Rainwater (Gil Birmingham).

John is not spared Chief Rainwater’s reminder of what genuine incursion actually entails. By the conclusion of Episode 1, a showdown that changes lives demonstrates how far these guys will go to establish and retain strongholds in their respective communities.

There was never any doubt that “Yellowstone” would be a huge project. Sheridan focuses some attention to Broken Rock while showcasing the environment he is familiar with on television. By drawing attention to the basic injustices and struggles that Indigenous populations now experience, the audience is forced to reflect on (or keep denying) American history as it has always been. With its setting and by emphasizing what the series does best—its familial dynamics—”Yellowstone” manages to uphold a particular standard for itself throughout the whole pilot.

Since “Yellowstone’s” launch, Sheridan has developed into a larger-than-life character who, while amassing millions, portrays himself as an everyman with an all-American appeal. In the spring of 2022, he appeared on the cover of Variety riding a horse, and he periodically makes appearances on “Yellowstone” as a cowboy.

Even if he has complete control over his programs, such as Paramount+’s “Tulsa King,” “Mayor of Kingstown,” and “Special Ops: Lioness,” he will definitely draw in millions more admirers now that “Yellowstone” is more widely available. For viewers who have followed the Duttons from the start, “Yellowstone’s” turn on CBS provides a chance to reflect on their world before its recent plunge into chaos.

Sheridan had intended for “Yellowstone,” which is currently in its fifth and final season, to have six final episodes, but he recently told THR that he is now aiming for 10. However, Costner left the show because of pay and creative issues. Sheridan, for his part, seems committed to giving “Yellowstone” an ending, even if it differs slightly from his initial vision. Sheridan expressed her disappointment to THR. “It breaks [Costner’s] character’s closure.

Although “Yellowstone” as many fans have known it may be ending, the program is really reborn in many ways. Almost identical episodes to those that appeared on Paramount+ will be broadcast on the network, according to a statement from CBS to Variety. The “Yellowstone” story is also expected to continue. There will soon be a new spinoff featuring Matthew McConaughey, who won an Oscar.

Although the series will be close to the original, Sheridan has suggested that it would likely include a whole different cast and setting. Since McConaughey and Sheridan are both from Texas, the Lone Star state may have a major impact on the plot. You can interpret it anyway you want, but my notion of a spinoff is the same as my idea of a prequel, Sheridan remarked.

The current version of “Yellowstone” may be found, at least on CBS and Peacock. Ironically, the program isn’t available on Paramount+ since NBCUniversal, the parent company of Peacock, bought the streaming rights to the show in 2020, before Paramount+ went live in 2021. It may seem ludicrous that CBS is re-platforming “Yellowstone” with a stoic Costner at its core.

It is the ideal send-off of sorts for a mountainous character, this branch of the Dutton family tree, and a relic-filled genre, though, since it will definitely reach a new streaming-weary audience. The huge and immensely entertaining epic “Yellowstone’s” new broadcast home is exactly where it should have been from the start.

Every week, CBS will show Yellowstone.

Yellowstone will begin airing on CBS (which also owns the Paramount Network) on Sunday, September 17th, beginning with the first episode of the series.

When does Yellowstone premiere on CBS?

CBS will show Yellowstone at 8:30 p.m. Eastern. Every Sunday, the show will run in two-hour chunks, allowing viewers to possibly watch many episodes at once.

Yellowstone is available to stream on Peacock if you want to view it outside of its weekly run.


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